Wednesday, July 9, 2014

The God in the Tree and the Fool of the World

Here's a story in the epic fairy tale (mythpunk) side of things. Going for a humorous Grimm's Fairy Tales spin on a nu-fantasy idea. 

            The god arrived sometime in the night, one week before harvest season. The moon was full and orangey-red like a pumpkin and floated serenely and strangely through the midmorning, and the first that the villagers heard of the god was when the milkmaid practiced a continuation of her damned laziness by leaving for the woods before other chores could be demanded of her. She returned in a quarter hour, breathless with fright and excitement.
            The great sequoia tree that stood north of the village, guarding a fork in the road that led to Angarsburg and Vilevre, had a face now.
            As one, the village shoved their way in a huddled throng down the stony path to where the ancient tree towered over the rest of the forest and stared in awe at the remarkably facelike splits the bark had acquired, seemingly of its own volition. Then, to their great surprise, it spoke.
            “I am Eol, god of the Boreal Waste. I am your ruler, and in two weeks time, you shall all be dead.”
            This was met with some consternation. The villagers weren’t particularly keen on the death idea, nor the ruler idea, truth be told (but that they could live with). They whispered furiously amongst themselves for a moment while Eol waited as patiently as only a tree could, before the blacksmith, Tolliver, spoke up. He stepped to the front of the crowd, removing his leather cap, and wringing it in two blackened hands, he whispered “why?”
            “What?” said someone in the crowd.
            “Tell him to speak up!” shrilled Tolliver’s mother.
            Why?” Tolliver boomed.
            “Because I can,” said the tree, and then fell silent, and regardless of how much they berated and cajoled the god, it spoke no more.


            They held a meeting an hour hence.
            “Cut down the tree!” shouted the tinker.
            “You fool!” shouted the cobbler, “he took the tree to speak with us, cutting it down will mean he will only find another home!”
            “Can we bribe him?” asked the old, blind seamstress.
            “What can you give a god?” they all wondered aloud.
            “We can trick him.”
            This quiet suggestion came from Alistair. They didn’t like Alistair. Much of the time he made them uneasy. It wasn’t that he was cruel, or even particularly rebellious. He was stupid, by all accounts. It’s just that sometimes he asked a stupid question in the way that sounded so reasonable that it made people squint and stare and grumble to themselves and admit they hadn’t thought of it. There were things he did that made people nervous. He did things that no one should be able to do, but he was just so stupid that it never occurred to him he couldn’t. Last summer, when he spent a day watching the chandler make candles for winter, he asked why one couldn’t catch a jar of sunshine. After a sound laughing-at and ridiculing, he had quietly gone into the meadow and come back with a half dozen jars of sunshine and sold them about for a shilling tuppence. He was lazy, for sure. He fished most days, and sometimes sold the fresh trout and river bass for coins at the market. One day the butcher’s daughter had happened upon him lazing by the river bank, telling a long and pointless story while his rod and basket went on fishing without him, pulling fish after fish from the stream. When she asked him how he did it, Alistair had told her “I just asked them nicely. Wouldn’t you have done the same?” She was a liar, though (and everyone knew it).
            “Perhaps if we talk to the god, we can make him leave.” Alistair never seemed smug, just innocence and blond hair and snake-green eyes. The villagers mumbled amongst themselves a moment and then Tolliver spread the crowd like a curtain.

            “You are welcome to try,” he said, “but if you get us all killed I’ll have you arrested.”

Tuesday, July 8, 2014

The Butcher and the Alchemist

       This is a little something I'm working on. The endgame is to get this particular piece published; where it finds a home I am less than picky about, save for the twin qualities of being in print and getting a little something for it. I am not sure where this is going, but the style reminded me half of a Xanth novel (By the peerless Piers Anthony) and half of The Witcher series (written by Andrzej Sapkowski). Wherever this leads, I like the two main characters and there is enough chemistry there to carry a short story.

           The Alchemist was known as Rah Gaffer Gospode, to some, but to most he went only by “Frith,” for reasons long since forgotten. The “Rah” was a sign of nobility, but he didn’t seem to have a family, or much of anything else, really. He drifted through the forest, mostly alone, occasionally popping into a town to buy or sell a few trifles. Sometimes strange fungi that seemed to twist towards the moon or little glass bulbs filled with blue liquid appeared in the markets after he had gone, but few could say whether he had brought them or not. He was a tallish, strangeish fellow with eyes that shifted color with the phases of the moon and a strong, angular jaw like a stone in a stream.
            He carried a bamboo pack tight-bound with iron bands and locked with two brass padlocks that clinked when he walked. A sword as long as a short man’s leg hung in a scabbard from the side of his pack, a long blue tassel affixed to the hilt. In winter he grew a beard, knotted and black and rambunctious like a briar thicket. Sometimes he did small favors for people in the town of Silverbone, blessing a gate so it never rusted, or creating some elixir that swelled pumpkins three times their normal size until they looked like fat orange sows in their furrows in back gardens. He never slept in a normal house, only in barns or hedgerows  or propped in the crook of a leaning tree eight paces from the road. He spoke little but smiled brightly and often, even if that smile was a touch too wide and a hair too sharp at times.
            Bufo DeLivre, the butcher, was completely different. Short and fat in the strong, sturdy manner of a boar or bulldog, he was loud and as often jovial as he was enraged, and he had thick brown arms like summer hams that he swung in great arcs when he talked. A broad cleaver swung on a leather thong at his belt, the handle polished from three generations of DeLivre hands. He swore it could slash a maple leaf as it fell but chop through a steer’s neck with one blow. No one ever saw him use it. No one ever saw him work, honestly. He sat in front of his shop and shouted orders through the open door at his niece or the orphan boy who was madly in love with his niece and did all the work she was supposed to. Bufo and Frith got along in the bickeringly friendly way fast friends did, with Bufo roaring insults between laughs punctuated by Frith’s quiet, sharp retorts and flashing smile.

            

Friday, May 23, 2014

Touch

I don't really know where I was going with this, but my prose was on point for this excerpt. This is all I have. 


            Ulfric watched as they dragged the gambler to the stocks. The sky was slate grey over Edgewick, and leaves tumbled by like a dry tide as the wind tugged at the edge of his ragged overjacket, chilling him. He stuffed his hands into the large pockets and watched them force the man to his knees, shoving his throat against the rough wood. The blacksmith’s sons dropped the heavy elm yoke across his shoulders, dropping the corroded iron pins into it. The wind whipped the drying trees, tearing leaves from them as the invisible sunlight faded the charcoal sky, and the indigo feather in the gambler’s broad hat leapt from the band and danced a pirouette.
            The magistrate left in a swirl of purple robes, and the blacksmiths followed him, leaving only Ulfric and the gambler, staring at each other. With a trapped hand, he beckoned Ulfric closer. Ulfric walked closer, standing in front of the crude platform.
            “Can you help me?”
            “Why?”
            He seemed genuinely puzzled by the question.
            “What did I do wrong?”
            “It isn’t obvious by now?” Ulfric asked.
            “No, I mean, why is it illegal to gamble?”
            “It isn’t illegal to gamble,” Ulfric said. “It’s just illegal to win.”
            “Who was I playing?”
            “The magistrate’s son.”
            The gambler let out a sigh. A trickle of blood inched down his throat where a splinter had stabbed him, making a scarlet rivulet on his neck. “I have the worst luck with opponents.” He gave Ulfric a sharp look. “Well? Can you let me out?”
            “Why should I do that?”
            “I have something that could make you one of the most powerful men in the world.”
            “Why should I believe you?”
            “What do you have to lose? Look at yourself.”
            Ulfric had heard that more times than he cared to remember, but coming from the mouth of a complete stranger was like getting punched with a lead club.
            He wasn’t much to look at, that much he knew. A skinny, scraggly orphan, maybe fifteen, with fingers quick enough to get him into trouble; filthy hair knotted with dirt and over his old servant’s shift a once-colorful captain’s jacket, flowing sleeves a glory of torn and yellowed lace and cracked epaulets over the blue and red and gold. His eyes were the only thing that could trap one’s attention: green as an oak leaf, sparkling like a forest stream and deep as a well.
            “What can you give me?”
            “I can give you the ability to never fail.”
            “I can see it worked for you.”
            “It doesn’t work like that.” The man was getting exasperated. “I have a book in my pack. The pack is stored underneath this platform because your magistrate is stupid enough to not recognize it for what it is; he thought that it was a journal. Get it out for me.”
            Ulfric got on his knees in the icy mud and crawled underneath the girders of the stocks. Caterpillars and glowfairies fled before him as he grasped the hardened leather bag and pulled it free.
            “Open it and pull out the book.”
            The heavy volume was bound in leather, with an ivory plate on the front. An indigo sigil was painted on the white bone.
            “This book contains the secrets of Touch, the ability to finish any task, do anything successfully, and it’s all written in a language that only I can understand.”
            “Where did you get it?”
            The man winked. “I’ll tell that story when you let me out.”
            Ulfric thought for a moment, and then dropped the book back into the bag. “I like my life just fine right now, thanks.”
            Rather than getting angry, the man seemed to deflate.
            “Then go. Leave me to contemplate.”
            Ulfric turned and started to walk away. A few feet away, he paused and turned. “What do you call yourself?”

            “Stag.” The man said. “Now go.”

Tuesday, April 29, 2014

The Dreamer

This is an idea I had for a dark, eerie short story. While the execution may be a bit rough the plot is one that is both classic and expansive. It may have potential. I was going for a Lovecraft or Shelley feel in the prose, almost romantic sort of baroque feel, an agelessness that defies strictures of horror or fantasy, like a supernatural Dickens. There is an intended scene with the Dreamer later on in the story, if I ever finish. 

Update: I added some stuff. 


            The old man gestured towards Edward. “You like books?”
            Edward didn’t. He liked book stores. The smell, the look, the feel of gnarled and worn leather against his hand. Thick, tarnished bosses on the spines like taxidermied creatures of eras bygone.  He never read them, curiously enough. What had started as a harmless walk and browse an evening after work had become near obsession. He chose books purely on aesthetic appeal. The more beautiful or different the book the greater the draw it exerted on him.
            “No.” Edward said simply. The man smiled, teeth gapped and angled like broken sidewalk tiles.
            “I have a book you’ll like.”
            Edward hadn’t been to this store before. It was off Burbank and Chancellor street in Grand Braxton, England. The door had been broken off a lorry and hung in a frame of some sort, and Edward had found it by taking a wrong turn and ending up in front of it, staring at the curious sort of place.
            “What does it look like?”
            The wrinkled little man brought out a very plain book from behind his teetering counter. Edward liked it. It was as though someone had sat down and very carefully thought of how to possibly make the plainest book imaginable, except the cover was wood. There was no ornamentation, and the cover was a sort of blackish, stained, gouged out wood. The pages were yellowed but cut perfectly even. The pages were so thin that the whole think resembled a block of layered wood or clay, not a book at all. Edward touched it and nearly recoiled. The cover was like ice, so cold it burned for a moment.
            He opened it. Every page was blank, but with the faintest suggestions of words like ink had once stood like marching soldiers on the cream pages before fading like ghosts. The harder he tried to make out the words the less the words seemed to matter or exist.
            He bought the book and left, taking a right turn and a left and finding himself once again in the familiar streets.
            At home, he placed the book on the table that sat next to his bed. It sat there unmoving as Edward stared at it. He shook himself. It was as though he expected it to move, to jump or dance or speak like men. It remained comfortingly, or disappointingly, booklike. The evening grew chill, Edward warmed a potato in the coals of his oven and baked two rolls in a pan. A bit of cold beef came out of the icebox, and Edward drew the heavy velvet curtains to his apartment and ate his meal in a silence that was neither lonely nor comfortable. The sounds of passing trucks and carriages grew seldom, the voices of the adjacent apartments faded into the swaddled night. Up the stairs, into bed Edward went, pausing a moment to brush his fingers across the cover of the book. It was warm to the touch now. As he laid down in the bed, he pulled the curtains of the bed closed. He thought almost he heard a soft, catlike step across the floorboards, but a breathless moment passed without further sound. As Edward fell asleep he turned his back to where the book sat, and whether this was conscious or unconscious flickered through his mind a moment longer than a thought of that sort might.
            Edward awoke in a cave.
            The air was warm, like the breath of a stranger on one’s neck.
            Thinking himself in a dream Edward thought nothing of it. The passage in front of him was lit without light, and stretched away for a short distance. Edward followed the passage, feeling the walls thoughtlessly as he went. After a moment he reached an opening. He stood in a cavern so enormous a feeling of something like terror flitted over him. An ink dark pool stood as flat as a plate in the center of the enormous cavern. The pool was round like a porthole, opaque but reflective, and so large the other wall of the cavern was swallowed in darkness. Edward found himself drawn towards the pool as though not of his own volition. He reached towards the pool and awoke.
            The moon threw shafts of deathless light threw the bubbled glass of his windows, etching grids on the floor. Edward pressed his hands against the glass, reassured by the coolness of the window against his palms. The street below and away the window rested like a stone river. A faint feeling, neither hunger nor nausea but some brother of the two knotted Edward’s stomach. He took the stairs with the care of the recently awoken, standing in his silent kitchen as he poured a glass of water from the silver pitcher he kept in his icebox. The water drove needles into his teeth and swept the musty flavor from his tongue. Edward left the glass on his counter and returned to his room.

            The book lay open on his nightstand. Edward tried suddenly to remember opening it, and could neither determine that he had or had not. He closed the book. It shut with a slap that was not unlike that of a water snake sliding into a stream, a sound that ran a cool finger down his spine.

           The next morning was the chill gray that heralds bone-cracking cold. Edward sat on the edge of the bed and regained wakefulness before rising to dress. In the middle of putting his waistcoat on he remembered the book. It wasn’t on the nightstand, but instead another book had been set there. A copy of Jules Verne’s Journey to the Center of the Earth sat in its place. Confused and not a little unsettled, though he wouldn’t admit it to himself, Edward searched the apartment half-dressed until he came upon the volume sitting on his kitchen table. It was open and on the page was a strange symbol, filled with intricate hairlike lines and knots that so tricked and confused the eye it was hard to follow, seeming only to change position and orientation the longer you looked at it. Edward flipped quickly through the other pages, looking for new symbols but nothing was there. When he tried returning to the original page, the symbol was gone. Edward looked at the clock that sat in his foyer, cursed, and resolved to search for the symbol another time.
            He worked at the First Anglican Bank on Halifax, across from a seedy pub he took lunches in. At noon, Edward walked across the street for a bowl of fish soup and a muffin. Inside, a group of sailors had taken up residence at several of the tables Edward would normally sit at so he was forced to take a position at the bar. Not three minutes later a large Swede, stinking of rum and ocean, stumbled to the bar and sat directly next to Edward.
            “Have you heard?” His ice-blue eyes bored into Edward’s brown ones.
            “Heard what?”
            “The graffisk. They found a graffisk in morning.”
            “What’s a graffisk?”
            The Swede emanated exasperation before replying. “A white squid was found this morning on the beach near the pier. Bad omen.”
            “What does it mean?”
            “Death is coming.” The Swede hailed the bartender before turning back to Edward. “Death is going to come to Grand Braxton, mark my words. It won’t be pretty.”
            “What should I do?”
            “Leave. Go to the states, or up north, if you can. Ireland or Scotland. South, per’aps. The West Indies. Anywhere but ‘ere.”
            “Will it reach London?”
            “The last time we found a graffisk was the beginning of the Great War. Before that, the potato famine in Ireland. When it happens, it will be bad.”
            Edward nodded, shaken, and returned to his soup. The Swede drained the beer he was given, threw a coin on the counter and shambled off.


            That night, Edward went to bed with some trepidation. The book was still sitting on his kitchen table where he’d left it that morning, but with shaking hands he put it in the cabinet below his desk and locked the door. Mentally laughing at himself for his superstition, he traipsed upstairs, locked the bedroom door and after getting into his nightclothes, pulled the curtains on his bed. Sleep didn’t come at first, but deep into the night rain began to fall and somewhere in the depths of his racing thoughts, Edward fell asleep.